uninitiation

by Shane Rowlands

Lori Lorion, Ghosts of Earth and Sky Kingdoms, 2011-14, acrylic, oil, charcoal on canvas, 48 x 48 inches. Courtesy of the artist.

Lori Lorion, Ghosts of Earth and Sky Kingdoms, 2011-14, acrylic, oil, charcoal on canvas, 48 x 48 inches. Courtesy of the artist.


uninitiation

SHANE ROWLANDS / OCT 2020 / ISSUE 2

Outside   the party

in fever-sprung night

blurry with bourbon

and pot-smoke   I lie

down with grass under

fretwork of flame tree

 

Snake-hipped   the boy-man

sidles beside me

to point out pale stars

flickers his tongue   Hot

breath in my ear-hole

home-time’   friends stumble 

 

tug my sleeve   Clean-skinned

amateur     wisdom

teeth uncut     I am

not   ready   to   leave

ripe-lipped girl-woman

sway full with tree flame

 

charming the snake-man

under the music

Misremembering

Friends leave me slurring

blurry-mouthed about

flamboyant blossoms

 

 

born  

dirt

soul  

time  

flash  

blank 

 

 

***

 

 

I conjure her clum-

sy with drink uncens-

ored tongue-slung rhapso-

dic   strung   feisty   too

trust-smoke naïve she

believes art changes

 

lives   does not know how

Chapped hands puppet-walk

me   boneless skin-bag

to a car   I am

booty-tossed across

three laps   stiffening

 

cocks in the back seat

unbuckled Driving  

too fast   past river

white knuckled   five of

them feral with the

smell of me turning

 

 

to meat   Pulse of street-

lights   warning   prayer

 

 

you belong to sky

Uninitiated

 

 

astronaut   no time

for countdown   blast off

 

 

dart 

 

                                 burn

 

salt 

 

flesh 

 

time

 

blink 

 

 

orbit in numb-struck

inky null and void

beyond terror-freeze

exosphere of shame

Subatomic   learn

to breathe dark matter

 

dream in ancient dead

languages   eat star-

fire   spit hydrogen

spun to alien

no-body-not-home-

no-me means   no means

 

no   means she kite high

crow stoned flash blank   no

cannot recall how

to make mouth make sounds   

she lost   bladder and

vowels   Barely eighteen

 

 

without my consent

my body was changed.

 

 

I   was   not   in   it.

It was not mythic.

 

 

I did not become a flame tree.

No river god, my father could not save me.

 

 

***

 

 

Sponge-tongued for years   My

mouth overcrowded

with blame   I misnamed

her shameful   Refused

to claim   her piecemeal

truths returning-to-

sender    One panic

attack at a time

to bear mute witness

 

 

***


Each atmospheric

re-entry to earth

 

uncontrollable  

 

space junk   hurtling jaw-

tight   she burns orange

blue white   collides with

 

gravitational

collapse into cold-

sweated-teeth-body

 

wisdom hard-bitten

chews fear grief shame rage

until soft   Swallow

 

to metabolise

how   to   be   inside

darkness   to greet light

 

I skin crawl for hours

shudder and twitch to

 

unscramble lost codes

I   will   never   know

Who I might have been

 

undetonated

 

yet everything sings

if you listen hard

 

And all that I am

is breath tethering

 

her to me to us

to earth to here and now


Shane Rowlands is a writer and collage artist who lives in Brisbane, Australia on Yugara-Turrbal country. She has published two poetry chapbooks—rear vision (Spindrift, 1997) and cicatriced histories (Metro Arts, 1995)—and has written for theatre and live performance. Recent exhibitions include fall seven times, stand up eight (PF Studio, 2013) and Royals, Angels & Assassins (WAG, 2015). She has worked as an editor and dramaturge, public policy maker, arts and cultural strategist, and as a researcher, curator and writer for exhibitions and business story-telling. 


Lori Lorion earned her MFA at the University of North Carolina at Greensboro. Her work has been exhibited in California, Oregon, North Carolina, Georgia, Pennsylvania, New Mexico, Vermont and Skopje Macedonia. Lori's paintings are dreamlike celebrations of the human body in motion. She creates a reality where imposing, large-scale figures quietly emerge from within a mysterious world. Her brightly colored, often richly textured paintings have a musical feel to them. Unabashedly bold, yet gentle and silent, these robust figures pulsate with life. Lori lives, works, and teaches in North Carolina.

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